Guinea Pigs
Even if you’re not a horror fan, the scenario depicted in GUINEA PIGS is bound to intrigue you. It should be noted that no actual guinea pigs were harmed during the making of this film, writes Lucy Sheppard.
Even if you’re not a horror fan, the scenario depicted in GUINEA PIGS is bound to intrigue you. It should be noted that no actual guinea pigs were harmed during the making of this film, writes Lucy Sheppard.
If you had the misfortune to miss the brilliant TRIDENTFEST 2012, let CFF know there’s a demand by tweeting them @camfilmfest or by commenting on the festival site. Rosy Hunt reviews.
Intriguing and mysterious, fascinating and suspicious: THE MATTEI AFFAIR is a case reconstruction which investigates Italian businessman Enrico Mattei’s death, writes H. Chan.
The World According to Garp author John Irving is the subject of Andre Schafer’s film. A rare and delightful opportunity to enter a creative mind at work, writes Hannah Clarkson.
With THE IDIOT, Rainer Sarnet has created an adaptation of Dostoyevsky’s novel that is brillant and inventive: a film stalked by death and the cruelty of nature, writes Steve Williams.
Mike Levy remembers seeing the original Beatles made-for-TV monochrome movie on Boxing Day 1967. At CFF the sparkling new print re-ignited memories and a brand-new affection for the film.
The LOOKING EAST project is a wonderful record of how life in East Anglia and Essex has changed over the years, including industry, leisure and travel, writes Liam Jack.
With THE LODGER, Alfred Hitchcock really began to hit his stride, and he has oodles of fun trying to throw the audience off the scent, writes Gavin Midgley.
Despite Carax’s arch claims to the contrary, HOLY MOTORS is most easily read as both a love letter and an elegy to cinema. See it at 20.00 this Sunday, the final day of the festival!
Dennis Cote’s contemplative visual essay on animals in a Canadian safari park previews at CFF 2012. Liam Jack reviews.