“Grace has come and gone. Who saw it and who didn’t?” Rosy Hunt reviews IRMA VEP, which screens at this year’s Bradford Film Festival. It will be introduced in person by director Olivier Assayas, who describes the film as”a comedy about brilliance”.
TREATMENT FOR A FILM IN 15 SCENES aired in all four parts at Grand Illusion Cinema in Seattle on April 14th; many thanks to John Zorn and the filmmakers involved.
Paolo Sorrentino’s study of an eccentric is a portrait of a deeply unlikeable character’s awakening in a cynical and self-indulgent film, says Lillie Davidson.
One hundred years after the sinking of the RMS Titanic, James Cameron is re-releasing his TITANIC epic in 3D. This sadly draws the attention away from a re-release which should be rightly acknowledged: A NIGHT TO REMEMBER
The search for a successor to Stieg Larsson’s crime fiction crown appears to have ended at the doorstep of Norwegian writer Jo Nesbø, author of the internationally acclaimed Harry Hole series. Mark Byrnes reviews the deliciously dark crime thriller HEADHUNTERS.
BOBBY YEAH, Robert Morgan’s heart-stopping stopmotion masterpiece, screens at Bradford Film Festival alongside JUAN OF THE DEAD on Friday 20th and Sunday 22nd April.
Oscar nominee for Best Animated Feature of 2012, A CAT IN PARIS lands squarely and gracefully on its feet.
LE HAVRE oozes with charm and wit, with a very offbeat take on a serious contemporary theme, according to Mike Levy.
Two schoolmates defy an oppressive political regime to bring candy back to the people in Takayiki Hamana’s CHOCOLATE UNDERGROUND.
Seven shorts tied up this year’s film festival in Norwich, from BAFTA winner A MORNING STROLL to a graduation film from the University of Wales. Rosy Hunt reviews.
