Mother!
A face in the flames, a red veined glass ingot and a rotting house on the brink of collapse. Aronofsky’s MOTHER! begins as it ends, writes John Cheshire.
A face in the flames, a red veined glass ingot and a rotting house on the brink of collapse. Aronofsky’s MOTHER! begins as it ends, writes John Cheshire.
The Big Sick lures audiences in with gooey, romantic squishiness – before delving into more serious (but still hilarious) territory, writes April McIntyre.
The new MY COUSIN RACHEL adaptation is a competent melodrama, but one that never sinks its hooks in deep enough, writes Roshan Matharu.
A dark story in a beautiful setting, Mike Boyd finds EL HOMBRE QUE CUIDA unsettling but highly engaging, at the Durban International Film Festival.
An extraordinary work of film art, using classic techniques to tell a beautiful and thought-provoking story, says Mike Boyd at the Durban International Film Festival.
An inspirational tale of a group of children brought together by a fictional character, showing the power of storytelling, says Mike Boyd at the Durban International Film Festival.
A brave and fascinating film that tackles a culturally sensitive subject, concludes Mike Boyd at the Durban International Film Festival.
This beautiful, slow-moving meditation on rural family life in Iran is stunningly photographed, says Mike Boyd at the Durban International Film Festival.
An extraordinary tale of a Gabonese martial arts champion, told with warmth and humour, says Mike Boyd from the Durban International Film Festival.
Trey Edwards Shults offers an unnerving study into the inner workings of human emotion, American paranoia, and family.