If ABOUT ENDLESSNESS is more of the same from Andersson, whose work is the strange offspring of Samuel Beckett and Jacques Tati, then it’s hard to see why that’s not altogether positive. Like Mae West said: “Too much of a good thing can be wonderful.”
Jim Ross embraces the traight-faced, deadpan humour of Roy Andersson’s YOU, THE LIVING
Rosy Hunt reviews Roy Andersson’s SONGS FROM THE SECOND FLOOR: an absurdist, artistic treatment of Purgatory which deserves the Jury Prize it won at Cannes.
Bringing the best of arthouse and festival cinema into focus
