With THREE BILLBOARDS, McDonagh has reached again for the high bar he’s set himself, writes April McIntyre.
Haneke’s mischief-making social satire is reminiscent of late Bunuel, writes Andrew Nickolds.
Mendonça has brought such warmth, humour and sensitivity to this piece, and AQUARIUS deserves to be seen by as many as possible, writes Ben Jones.
Was this journey really necessary? Andrew Nickolds helps you decide.
This year’s Surprise Film at the Cambridge Film Festival was FILM STARS DON’T DIE IN LIVERPOOL, directed by Paul McGuigan. But was it a nice surprise?
A resonant, deceptively impressionistic portrait of young women on the cusp of adulthood.
BECOMING CARY GRANT simultaneously offers too much and not enough information in what becomes a muddled piece of work, writes Andrew Nickolds.
A selection of shorts from 1907-1914, most newly restored, showcasing the innovative, two-colour ‘Kinemacolor’ process.
A stiff Belgian monarch takes an unexpected road trip across Europe in this poker-faced mockumentary.
Yorgos Lanthimos delivers spectacularly with his second British made film and his sixth feature, which comes just two short years after 2015’s THE LOBSTER.