Femme
FEMME comes with intriguing moral grey areas that make the picture so utterly compelling, despite the broad strokes and cliché from which the narrative framework takes inspiration.
FEMME comes with intriguing moral grey areas that make the picture so utterly compelling, despite the broad strokes and cliché from which the narrative framework takes inspiration.
Glenn Howerton almost rescues this uneven, chaotic film but this is the BlackBerry of techy biopics. It’s nothing new anymore.
There is a central idea between the dramatic unfoldings of BLUE JEAN: internalised homophobia triggers a fight or flight response. Walter Bradford Cannon’s famous ‘fight or flight’ theory, otherwise known as Acute Stress Response, is referenced early in Georgia Oakley’s outstanding feature debut. In BLUE JEAN, the stress Oakley’s Geordie protagonist Jean responds to is that of Margaret Thatcher’s homophobic amendment to British Law: Section 28.