20,000 Days on Earth
You don’t have to know or even like Nick Cave’s music to be engrossed in 20,000 DAYS ON EARTH – there are simply no dull moments, writes Carya Maharja.
Category Archives: Festival Coverage
Attila Marcel
Unusual but charming is Sarah Lambert’s description of ATTILA MARCEL.
School of Babel
SCHOOL OF BABEL, Julie Bertuccelli’s consideration of multicultural Paris, layers the personal stories of children newly-arrived in France.
20,000 Days On Earth
20,000 DAYS ON EARTH has the feel of a hallucinatory interview, according to Carya Maharja.
Watermark
Although repetitive, WATERMARK has all the capability to sweep the audience away, according to Carya Maharja.
Violet
VIOLET is a confident feature debut from Bas Devos, with a strength lying in its visual storytelling, writes Jim Ross at CFF34.
The Canal
Ivan Kavanagh’s THE CANAL is a combination of classic and modern horror story, giving it a new sharper edge, writes Rohan Ilet.
Night Will Fall
NIGHT WILL FALL is a remarkable film about an incredibly complex and difficult subject. Andre Singer and his research team tell a powerful story.
Interview: Amir Amirani – WE ARE MANY
James Walpole speaks to Amir Amirani about his film, WE ARE MANY.
The Hypnotist
THE HYPNOTIST draws on and explores a wide variety of taboos, creating a film that both captivates and surprises, writes Emma Wilkinson.