EMPEROR deals with an interesting moment in the aftermath of World War II, but Owen Baker isn’t convinced by its treatment of history.
Mark Liversidge finds plenty to recommend in Shan Khan’s directorial debut, which tackles the sensitive issue of honour killings.
Jim Moore is moved by the chilly and forbidding COLD of Uğur Yücel’s sordid and noirish tale.
Hannah Clarkson reviews Stephen Brown’s intense adaptation of John Banville novel THE SEA.
Lucy Mulloy’s pulsating debut feature offers urgent drama as well as winning nuggets of light relief, writes Richard Hensby.
Hannah Clarkson sees the best and worst of human nature in THE HOUSE WITH A TURRET.
Apocaromanceadrama HOW I LIVE NOW is another sideways tonal and genre leap for director Kevin Macdonald, writes Jim Ross.
Joe De-Vine hopes that this dazzling double-bill of MARIUS and FANNY will delight and surprise audiences as much as it did him.
This film with its climatic violence but redemptive message shows that serious social issues can be portrayed in comical ways, says Mike Levy.
Kim Pearce reviews this fascinating documentary and concert film giving insight into the life, death and family of singer-songwriter Kate McGarrigle.