Finding Vivian Maier
An air of French sophistication, intense privacy, a peripatetic pack-rat’s mound of carefully packed-up junk and a camera around her neck. FINDING VIVIAN MAIER.
Category Archives: Reviews
Lilting
Hong Khaou’s LILTING reaches an important landmark within the potentially staid coming-out story framework, writes Emma Wilkinson.
All This Mayhem
ALL THIS MAYHEM has more ups and downs than a half-pipe, according to Edd Elliott.
A Night At the Cinema In 1914
A NIGHT AT THE CINEMA IN 1914 is well worth watching: it’s engaging, enlightening and best of all, loads of fun, writes Amanda Randall.
Supernova
Tamar van den Dop mingles the majestic and the mundane in her darkly comic coming-of-age drama SUPERNOVA.
God's Pocket
GOD’S POCKET tells the darkly comedic tale of how a small neighbourhood is rocked by the suspicious death of a young man. James Walpole reviews.
The Gravedigger's Tale
Jon Toomey steps outside the mainstream with the exquisite THE GRAVEDIGGER’S TALE, which explores the wider cultural and emotional impact of mortality.
The ICA Artists’ Moving Image Network
The ICA Artists’ Moving Image Network offers an ongoing series of screenings of new and rarely seen artist film and video work, at Manchester’s Cornerhouse.
Blood On Satan's Claw
British Horror doesn’t get much more weird and subversive than BLOOD ON SATAN’S CLAW, according to Edd Elliott.
'Til Madness Do Us Part
‘TIL MADNESS DO US PART is a world of delirium but also of sensation, patiently exposed by the director, Wang Bin. Tianyi Shen reviews at EIFF.