Filth
FILTH is a superbly lurid and comedically pitch-black spiral into a man’s mental hell, with James McAvoy on perhaps his best form to date.
FILTH is a superbly lurid and comedically pitch-black spiral into a man’s mental hell, with James McAvoy on perhaps his best form to date.
An adult fairy tale set in the Spanish Civil War, EL BOSC (THE FOREST) combines an entertaining wartime drama with light touches of fantasy to great effect.
Although it steps on the gas for a terrific finale, the lead actors of RUSH are slightly let down by director Ron Howard and the script, writes Jim Ross.
Is Danny “THE EYE” Pang painting by numbers, or sketching out a new line in horror? FAIRY TALE KILLER is available on DVD from 7 October.
Lake Bell’s witty directorial debut takes aim at industry sexism without being seminar-like about it, writes Jim Ross.
Intensely understated with a meandering, directionless narrative, Daniel Harling reviews Matthew Porterfield’s divisive new film.
This satisfying blend of Middle Eastern drama and spaghetti western homage boasts two terrific lead performances, writes Gavin Midgley.
Colin Downey’s THE SHADOWS owes a lot to C.S. Lewis, but strong performances bring a generic fairy tale to life, writes Jeremiah Humphreys.
No work Green goes on to produce will be ever be as visceral and as as unwavering in its design as that striking first outing, writes Richard Hensby.
“The tranquil aesthetic of THE SUMMERHOUSE is matched only by the cast, who effortlessly embody a carefree youth, ripe for the blemishing.”