Havana Glasgow: Women in Film
Havana Glasgow Film Festival’s short film program ‘Woman in Film’ revitalised Anna Whealing’s appreciation for film, women, Cuba, and the Spanish language.
Havana Glasgow Film Festival’s short film program ‘Woman in Film’ revitalised Anna Whealing’s appreciation for film, women, Cuba, and the Spanish language.
The small moments of intimacy alone make SATURDAY CHURCH a worthwhile watch. Murray Ferguson reviews at Discovery Film Festival.
RED is an analysis or perhaps a critique of the famous painter Mark Rothko. Josh Ragan reviews.
ANNA AND THE APOCALYPSE gives the zombie film a surprisingly efficient twist with enormous fun. Murray Ferguson reviews at Discovery Film Festival.
After a solid and convincing main body, ETHER might have benefited from a little more subtlety at its conclusion. Serena Scateni reviews at Rome Film Festival.
Although Joel Edgerton’s BOY ERASED may succeed in its obvious intents, it sadly lacks the necessary power to shine. Serena Scateni reviews from Rome Film Festival.
UNDER THE WIRE serves as a great memento that both quality journalism and humanism are not nice things to have, but powerful necessities. Victoria Becker reviews at Cologne Film Festival.
The confining space of a cinema is the perfect place to watch THE GUILTY, the venue’s own restrictions aptly mirroring that felt by the characters. Francesca Woulfe reviews.
The Edinburgh Short Film Festival’s November 8th program deals with mind games, toying with – and being teased by – our adversaries, and amusing ourselves. Jim Ross reviews.
Luka Vukos previews the closing night of the 2018 Edinburgh Short Film Festival – “this final set of films is another great bunch and their precise arrangement is likewise thoughtful.”