Certain Women
CERTAIN WOMEN moves at its own deliberate pace, allowing the performances to blossom amid the unforgiving Badlands, writes Andrew Nickolds.
CERTAIN WOMEN moves at its own deliberate pace, allowing the performances to blossom amid the unforgiving Badlands, writes Andrew Nickolds.
VICEROY’S HOUSE keeps the seismic events of 1947 India in the background as they unfold, while bringing the human drama to the fore.
Supernatural thriller THE WAILING ranks Hong-jin Na alongside some of the finest Korean auteurs working today, writes Harry Jones.
THE UNKNOWN GIRL is the new social realist mystery film written and directed by prolific Belgian duo Jean-Pierre and Luc Dardenne.
Mike Mills transports us back to 1979 Santa Barbara, complete with waning hippie culture, the death throes of punk and the rise of female identity.
April McIntyre reviews CALEB, a thoughtful sci-fi short which deals with the morality of advancing technology and its effect on family and relationships.
A horror film that IS just for Christmas.
ROGUE ONE isn’t just a brilliant inclusion in the Star Wars mythology, but a beacon of hope for the future of the franchise as a whole.
ARRIVAL takes the age old notion of mankind’s first contact and manages to find a unique spin, cementing its place among the greats.
WONDER OF CREATION is a time-capsule of silent documentary that reveals how far we have come in terms of science and filmmaking, writes Sarah Henkel.