Broken
Although Rufus Norris’s directorial debut starts off on a well-trodden path, there is enough cinematic ingenuity here to make a film staple feel refreshingly original, writes Dan Harling.
Although Rufus Norris’s directorial debut starts off on a well-trodden path, there is enough cinematic ingenuity here to make a film staple feel refreshingly original, writes Dan Harling.
Cigarette Burns organises screenings of cult films in various London venues. Ferry Hunt reviews the recent screening of THE KEEP on 35mm.
Even though Lynne Ramsay has layered WE NEED TO TALK ABOUT KEVIN with colours and striking vision, it resides firmly in shades of morally ambiguous grey.