Marshland (La Isla Minima)
Supported by the strength of the cinematography and sound design, MARSHLAND is is an engaging look into the psyche of Spain during its period setting. Amber Heath review at Edinburgh Spanish Film Festival.
Supported by the strength of the cinematography and sound design, MARSHLAND is is an engaging look into the psyche of Spain during its period setting. Amber Heath review at Edinburgh Spanish Film Festival.
HANDIA is a technically accomplished and engrossing tale of two brothers in the 19th-century Basque country. Jim Ross reviews at Edinburgh Spanish Film Festival.
Understated and compelling, THE RIDER is an alluring and thought-provoking film. Murray Ferguson reviews.
AMERICAN ANIMALS is a docudrama mix that is a neat, tight deconstruction of the heist film and grips rather than grates. Jim Ross reviews.
UNDER THE TREE is a deliciously bleak and funny tale, with a ridiculous burst of violence making a uniquely strange little film. Murray Ferguson reviews.
I AM NOT A WITCH is an atmospheric and satirical slow-burn, Rungano Nyoni’s feature debut weaving in a sense of the surreal alongside. Ben Johnston reviews.
Ably supported by his principal cast, former Jehovah’s Witness Daniel Kokotajlo crafts a tragic and engrossing narrative in APOSTASY. Jim Ross reviews.
Unsubtitled revenge drama ICEMAN is captivating in a way beyond words, even if there is the odd piece of yellow snow amongst the ice sculptures. Jim Ross reviews.
LEAVE NO TRACE is a film of delicately balanced contrasts – understated yet emotive; contrasting yet coherent; personal yet topical. Jim Ross reviews.
MARY SHELLEY is a clumsy attempt to tell the story of a fascinating woman and literary pioneer. Jim Ross reviews at Edinburgh International Film Festival.