Loro
There are few public figures as ripe for a biopic as Silvio Berlusconi, and few filmmakers better equipped to take that particular portrait on as Paolo Sorrentino in LORO. Jim Ross reviews at Glasgow Film Festival.
There are few public figures as ripe for a biopic as Silvio Berlusconi, and few filmmakers better equipped to take that particular portrait on as Paolo Sorrentino in LORO. Jim Ross reviews at Glasgow Film Festival.
YOUTH is a decadent representation of how, in the frantic run towards the future, it’s easy to forget to live mindfully in the present, writes Federica Roberti.
Sorrentino’s corrupt, shameless Rome establishes a chokehold of gratuitous hedonism which it refuses to release for the film’s duration.
Paolo Sorrentino’s study of an eccentric is a portrait of a deeply unlikeable character’s awakening in a cynical and self-indulgent film, says Lillie Davidson.