Interview with David Cairns
“It didn’t seem possible that anybody could be running a major studio and having a sideline in porn – who would have the energy?”
“It didn’t seem possible that anybody could be running a major studio and having a sideline in porn – who would have the energy?”
See this love story/odd-couple road movie/drama/rite of passage at Cambridge African Film Festival at Cambridge Arts Picturehouse on 10th November.
Although it steps on the gas for a terrific finale, the lead actors of RUSH are slightly let down by director Ron Howard and the script, writes Jim Ross.
Intensely understated with a meandering, directionless narrative, Daniel Harling reviews Matthew Porterfield’s divisive new film.
This satisfying blend of Middle Eastern drama and spaghetti western homage boasts two terrific lead performances, writes Gavin Midgley.
Colin Downey’s THE SHADOWS owes a lot to C.S. Lewis, but strong performances bring a generic fairy tale to life, writes Jeremiah Humphreys.
TRIDENTFEST continues to demonstrate the collective’s evolution as talented film makers with a wide set of skills, writes Mark Liversidge.
No work Green goes on to produce will be ever be as visceral and as as unwavering in its design as that striking first outing, writes Richard Hensby.
“The tranquil aesthetic of THE SUMMERHOUSE is matched only by the cast, who effortlessly embody a carefree youth, ripe for the blemishing.”
Marta Cunningham unveils a mass of dark and intolerant attitudes that threaten the memory of an innocent teenager who simply wished to explore his identity.