Goodbye to Language 3D
Where does philosophy live in a world where we are saying goodbye to language? Perhaps it lies in the re-emergence of 3D in cinema?
Where does philosophy live in a world where we are saying goodbye to language? Perhaps it lies in the re-emergence of 3D in cinema?
Spend three hours in the National Gallery and there is absolutely no way you will cover as many of the goings-on as Wiseman’s documentary offers.
Jack Toye spoke to filmmaker Leah Meyerhoff and sound mixer Joe Stillwater about I BELIEVE IN UNICORNS, screening at Cambridge Film Festival this year.
Closer to MYSTERIOUS SKIN than CLUELESS in its treatment of American teenagers, PALO ALTO is a fine calling card for another member of the talented Coppola clan.
Tilda Swinton is a joy to hate but Bong Joon-Ho’s editing lets down the weird and wonderful SNOWPIERCER, screened at Edinburgh International Film Festival.
Screened at the Cameo Picturehouse as part of the EIFF shorts programme, YOUTH IN FLAMES illustrates the burning bright nature of adolescence.
Kat Candler’s debut feature HELLION is a mature study on the breakdown in a family following the crumbling away of parental responsibility, writes Jack Toye.
Fans of le Carré won’t be disappointed by A MOST WANTED MAN – and Hoffman fans get another chance to say goodbye to a luminary legend of the screen and stage.
We are used to seeing Elijah Wood as a Hobbit or a hooligan, but a professor of poetry is quite something else, writes Jack Toye at the Edinburgh Film Fest.
Two greats of contemporary world cinema collide in the epistolary LIFE MAY BE, which premiered at Edinburgh International Film Festival. Jack Toye reviews.