All posts by Jim Ross

Jim has written about film since freelance since 2010, and is a co-founder and the Editor-in-Chief of TAKE ONE Magazine. From 2011-2014 he was a regular co-host of Cambridge 105FM's film review show. Since moving back to Edinburgh he is a regular review and debate contributor on EH-FM radio's Cinetopia film show. He has worked on the submissions panel at Cambridge Film Festival and Edinburgh Short Film Festival, hosted Q&As there and at Edinburgh's Africa In Motion, and is a former Deputy Director of Cambridge African Film Festival. He is Scottish, which you would easily guess from his accent.

Sinners

Ryan Coogler continues to grow as a filmmaker: the choice not to water down the more challenging ideas underneath the blockbuster sensibilities of SINNERS proves to be the lifeblood of the film.

Jurassic World Rebirth

JURASSIC WORLD REBIRTH is the seventh entry in a series that resolutely and ironically refuses to die in the way the implied resurrection would require. Instead, Gareth Edwards takes the reins on a new entry that makes a clean break from the characters of the original JURASSIC PARK and JURASSIC WORLD, but not from the increasingly convoluted world that the series inhabits.

Hot Milk

Emma Mackey is an engaging screen presence that keeps HOT MILK more or less on track in her lead role, but the lack of narrative direction leaves her character and the film to languish in the hot Spanish sun.

28 Years Later

By defying a desire for simplistic metaphors and clear avatars for contemporary concerns, it’s arguable that 28 YEARS LATER allows meaning to emerge in the minds of individual viewers in more complex and unexpected ways.

Mission: Impossible – The Final Reckoning

With almost thirty years having passed since the first MISSION: IMPOSSIBLE, the series has lasted much longer than the legendary 5-seconds-until-self-destruction. However, even if this latest spectacle delivers more than a tiny puff of smoke in an 80s tape player, it represents a fizzling out nonetheless.

The Brutalist

The film will stand the test of time, both in terms of the ideas and questions it raises, as well as a beautiful example of the moving image. However, something about THE BRUTALIST arriving now lends the film potency.

Flow

The unique approach of FLOW streams through the entire feature, from its animation style to character behaviour, in a way that deepens the impact of its themes of solidarity, companionship, and harmony.