The Entity
The latest found footage horror from South America takes a different perspective on its chills, writes Mark Liversidge.
All posts by Mark Liversidge
Star*Men
Alison Rose’s documentary follows four astronomers embarking on a fiftieth anniversary re-enactment of an American road trip from their twenties and reflecting on the impact of their discoveries.
Mr Turner
The artistic highlights of Turner’s career writ large on the cinema screen in flesh and blood make this a cinematic delight, writes Mark Liversidge.
The Police Officer's Wife
THE POLICE OFFICER’S WIFE wields an enormous amount of power, but it presents a challenge for the viewer in almost every aspect, writes Mark Liversidge.
In The Slums Of Berlin
Lamprecht never shirks from demonstrating the darker side of life in post-WW1 Berlin in his IN THE SLUMS OF BERLIN, writes Mark Liversidge.
Stations of the Cross
STATIONS OF THE CROSS is a rigorously structured and shot parable about a teenage girl’s single-minded devotion to her Christian faith.
The Distance
Caballero finds glimmers of human truth and dark comedy among the freakish, but if his goal was to entertain, it’s one he’s achieved admirably, writes Mark Liversidge.
Tridentfest
TRIDENTFEST continues to demonstrate the collective’s evolution as talented film makers with a wide set of skills, writes Mark Liversidge.
Honour
Mark Liversidge finds plenty to recommend in Shan Khan’s directorial debut, which tackles the sensitive issue of honour killings.
Bring Me The Head Of Machine Gun Woman
BRING ME THE HEAD OF THE MACHINE GUN WOMAN delivers just enough in a compact package to satisfy fans of grindhouse and gaming alike.