Elle spoke to director Daniel Scheinert during Sundance London, and you can read their discussion here. In a small town such as this film’s in Alabama, news travels pretty fast – including the most recent town scandal, the death of Dick Long. After a wild night of partying with his friends, Dick’s body turns up … Continue reading The Death Of Dick Long
Elle Haywood speaks to Daniel Scheinert at Sundance London, where his new feature THE DEATH OF DICK LONG was screened.
THE NIGHTINGALE redefines all preconceptions you have about horror films and sheds a harsh light some of the most disturbing and untold aspects of colonialism in Australia; the most nauseating of which is the truth that lies within them. Director Jennifer Kent is a detailed and masterful storyteller, painting the film with the same skin-crawling … Continue reading The Nightingale
ELLE: I’ve been joined by the lovely Kim Yutani for start of the Sundance Film Festival 2019 London strand! Thank you for joining us Kim – how have you found the kick-off this week? KIM: We’re really excited to be back here in London for the 7th year and to be working with The Picturehouse. … Continue reading Interview with Kim Yutani: Director of Programming for the Sundance Film Festival
MAGICAL NIGHTS is a cheeky, dark peek behind the curtain into a world of delusional fantasy. Murray Ferguson reviews from the Italian Film Festival.
ON A MAGICAL NIGHT (CHAMBRE 212) is a smart comedy about life and love until it trails off into a confusing, self-consciously deep ending. Yemi Chabi reviews from Cannes 2019.
Tina Kendall reviews Werner Herzog’s new film FAMILY ROMANCE, LLC from Cannes Film Festival 2019.
Screening at Sundance London 2019, ANIMALS ‘has an undeniably charming quality to it’. Elle Haywood reviews.
EUPHORIA is an affecting film that effectively balances human drama with jovial debauchery. Murray Ferguson reviews as part of the Italian Film Festival.
THE DEAD DON’T DIE is not groundbreaking, but Jim Jarmusch manages to breathe some new life into the (un)dead genre. Joe McLauchlan reviews from Cannes 2019.
