The Green Lie
THE GREEN LIE is an examination of corporate greenwashing with humorous self-reflective tone, writes Calam Pengilly at Take One Action Film Festival.
THE GREEN LIE is an examination of corporate greenwashing with humorous self-reflective tone, writes Calam Pengilly at Take One Action Film Festival.
Women Over 50 Film Festival celebrates the work of older women on both sides of the camera. They look to older women to drive our stories – as film-makers and performers – and are one of only two film festivals worldwide that are specifically geared towards older women. Rosy Hunt spoke to festival director Nuala … Continue reading Women Over Fifty Film Festival
FLIGHT OF A BULLET is raw and real but not in the manner war documentaries typically are. Anna Whealing reviews the Open City Documentary Festival award winner.
THOSE WHO COME, WILL HEAR is a suggestion of director Simon Plouffe’s full potential, despite not always connecting with the cultures it depicts, writes Luka Vukos at Open City Documentary Festival.
GONJIAM suffers from none of the classic issues of found footage, writes Alice Pullen from the London Korean Film Festival teaser screening.
Closing this year’s Open City Documentary Festival, THE SWING marks Cyril Aris as a filmmaker to anticipate in the future, writes Luka Vukos.
Although the meandering approach robs BARONESA of momentum, the outlook and perspective is a fresh one worth engaging with. Jim Ross reviews the opening film of Open City Documentary Festival.
Dieudo Hamadi’s examination of the Democratic Republic of Congo’s struggles with political corruption is bleak but visually and narratively gripping. Jim Ross reviews at Open City Doc Fest.
MARY SHELLEY is a clumsy attempt to tell the story of a fascinating woman and literary pioneer. Jim Ross reviews at Edinburgh International Film Festival.
Jim Ross reviews CALIBRE, an excellent new thriller, which had a premiere at the Edinburgh Film Festival and is now available on Netflix