Interview with Emma Eliza Regan
Edd Elliott interviews Emma Eliza Regan on her new film DARKNESS ON THE EDGE OF TOWN.
Edd Elliott interviews Emma Eliza Regan on her new film DARKNESS ON THE EDGE OF TOWN.
Nick Kitchin reviews the director’s cut of 54, restored for originally intended viewing.
Nick Kitchin reviews the short film ONE NIGHT IN HELL for the 35th Cambridge Film Festival
Fitfully witty but structurally unsound French jeu d’esprit: not so much ‘high art’ as ‘Hi, Art!’, writes Stephen Watson.
Precise sound design, seductive landscapes and lugubrious humour combine in a modern Czech fairytale, writes Chloë Casper.
Kurt Langbein’s film shines a light on the dark business of intensive agriculture where profits come before people, writes Gavin Midgley.
ATOMIC isn’t all death and destruction. There’s a very positive side to the story, celebrating ingenuity, determination and compassion.
Dour but well-observed drama about desperate times and hard choices, enlivened by the interesting family relationship at its heart.
A laugh a minute it ain’t, but Carolina Hellsgård’s film Wanja is a gripping watch, writes Garry Pope.
Jim Moore reviews Czech classic CLOSELY OBSERVED TRAINS.