The Enigma of Kaspar Hauser
The true story of an adult foundling who mystified 1820s Germany. Herzog’s classic has been re-released at BFI Southbank and cinemas nationwide.
The true story of an adult foundling who mystified 1820s Germany. Herzog’s classic has been re-released at BFI Southbank and cinemas nationwide.
Ben Wheatley’s mesmerising trip to the past captures a key moment when chaos reigned supreme, writes Gavin Midgley.
The films screened as part of the Disability Sport and Art Festival 2013 range from the insightful and poignant to the enjoyably barmy, writes Dan Harling.
It occasionally slides into contrived whimsy but this biopic offers plenty of pretty escapism, writes Hannah Clarkson.
Polley’s examination of the nature of truth and the fragility of memory is remarkably effective and makes for absorbing viewing, writes Dan Harling.
You’d be correct in expecting gore from this film. An enjoyable, if guilty spectacle, writes Paul Milne at the Edinburgh Film Festival.
What happens to Jesse and Celine after they walk into the sunset? Their climactic interaction is darkly sincere and immensely entertaining, writes Lillie Davidson.
The release of MAN OF STEEL coincides with the 75th anniversary of Superman, the world’s most iconic superhero. Warners is betting heavily this time that they got it right, writes Wyndham Wise.
Joss Whedon’s take on Shakespeare’s rom-com is charming yet forgettable, writes Gavin Midgley.
Jonathan Smith presents SUMMER IN FEBRUARY, based on his own original novel. “A triumph of antiquated posturing and quite unimaginative storytelling,” writes Ed Frost.