Lovelace
A varied performance from Amanda Seyfried, and an abundance of 70s clichés – Liam Jack reviews LOVELACE, the story behind DEEP THROAT.
A varied performance from Amanda Seyfried, and an abundance of 70s clichés – Liam Jack reviews LOVELACE, the story behind DEEP THROAT.
KUMA – a satisfyingly slow burning web of family lies, secrets, mistrust – feels like an important piece of work, writes Liam Jack.
TIME BANDITS is the first in Gilliam’s trilogy which also includes BRAZIL and THE ADVENTURES OF BARON MUNCHAUSEN. Picturehouse’s “Culture Shock” strand brought the remastered BANDITS to Cambridge.
Hyper-conscious, hallucinatory & highly contemplative – tantamount to being stuck in a ponderous nightmare, but one you’ve agreed to partake in. Dan Harling on ONLY GOD FORGIVES.
Gorō Miyazaki had full artistic control of POPPY HILL but his 72-year-old father was involved in script-writing and poster design – it seems Hayao Miyazaki never wants to retire.
The first genuine Anglo-Russian coproduction for about 10 years, SEASON OF MISTS is an intelligent, thoughtful and charming drama, writes Kim Pearce.
BLACKFISH is an unashamedly polemical documentary and it will make you angry too, writes Keith Braithwaite
Noah Baumbach’s love letter to New York City is a rare gem on growing up and tragicomedy of it all, writes Lillie Davidson.
Hitchcock’s only 3D film, now re-released, has points of interest but otherwise remains an unexceptional entry in the director’s career, writes Gavin Midgley.
Although it doesn’t hit the comedic heights of its predecessors, THE WORLD’S END may be the most interesting of Edgar Wright’s homage-driven trilogy of films, writes Jim Ross.