Blackfish
BLACKFISH is an unashamedly polemical documentary and it will make you angry too, writes Keith Braithwaite
BLACKFISH is an unashamedly polemical documentary and it will make you angry too, writes Keith Braithwaite
Noah Baumbach’s love letter to New York City is a rare gem on growing up and tragicomedy of it all, writes Lillie Davidson.
Hitchcock’s only 3D film, now re-released, has points of interest but otherwise remains an unexceptional entry in the director’s career, writes Gavin Midgley.
Although it doesn’t hit the comedic heights of its predecessors, THE WORLD’S END may be the most interesting of Edgar Wright’s homage-driven trilogy of films, writes Jim Ross.
The true story of an adult foundling who mystified 1820s Germany. Herzog’s classic has been re-released at BFI Southbank and cinemas nationwide.
Ben Wheatley’s mesmerising trip to the past captures a key moment when chaos reigned supreme, writes Gavin Midgley.
The films screened as part of the Disability Sport and Art Festival 2013 range from the insightful and poignant to the enjoyably barmy, writes Dan Harling.
It occasionally slides into contrived whimsy but this biopic offers plenty of pretty escapism, writes Hannah Clarkson.
Polley’s examination of the nature of truth and the fragility of memory is remarkably effective and makes for absorbing viewing, writes Dan Harling.
You’d be correct in expecting gore from this film. An enjoyable, if guilty spectacle, writes Paul Milne at the Edinburgh Film Festival.