The Iceman
Although Michael Shannon delivers a superb performance, THE ICEMAN can only be carried so far by that and his ever-changing facial hair, claims Jim Ross.
Although Michael Shannon delivers a superb performance, THE ICEMAN can only be carried so far by that and his ever-changing facial hair, claims Jim Ross.
The Daleks appeared at the Cambridge Picturehouse recently in two films from the Amicus stable, starring that celebrated gentleman of British genre cinema, Peter Cushing.
Oppenheimer’s “extraordinary, lucid” documentary challenges former Indonesian death squad leaders to cinematically reenact their mass-killings. (UK release 28 June)
Andrew Nickolds dives in to this new French comedy, a “primary-coloured confectionery” set in the world of speed typing.
Almodóvar muddies the waters between good and bad, masculine and feminine, movement and inertia, real life and spectacle with TALK TO HER.
Mixed performances and a mismanaged soundtrack balanced by a powerful denouement: Dan Harling reviews Baz Luhrmann’s interpretation of THE GREAT GATSBY.
Kurosawa’s RAN forces us into a cool intellectual appraisal of bloody vengeance, betrayal, and moral collapse, writes Keith Braithwaite.
Strong performances and a confident tone mark out this highly enjoyable slice of Southern Gothic, writes Gavin Midgley.
Pedro Almodovar’s latest is like a glass of cheap Cava, writes Gavin Midgley: fizzy and fun while it lasts, but mostly forgettable and nothing to write home about.
Treading a fine line between creepy and charming, IN THE HOUSE ingratiates itself with the audience before pulling off a nimble series of twists and reversals.