Muscle Shoals
MUSCLE SHOALS riffs on Rick Hall’s often pained backstory and his success as the world’s most in-demand knob-twiddler, writes Huw Oliver.
MUSCLE SHOALS riffs on Rick Hall’s often pained backstory and his success as the world’s most in-demand knob-twiddler, writes Huw Oliver.
Michael Roemer’s innovative drama, shown at the Cambridge Film Festival, is an unfairly neglected gem of 60s cinema, writes Gavin Midgley
“You can’t plough a field by turning it over in your mind”. DUMMY JIM is inspired by Scottish author and long-distance cyclist, James Duthie.
Even in the depths of the monarch’s decadence and detachment from reality, LUDWIG is always a sympathetic character, writes Owen Baker.
This beautifully directed tale of rediscovered family and love can’t quite fulfill its early promise, but is still well worth seeing, writes Owen Baker.
HANNAH ARENDT is a film populated with deep thinkers, academics and journalists, but only a few express their passions believably, writes Mark Liversidge.
In this intimate documentary set just north of Los Angeles, Kevin and his best friend Garrison tentatively step into the often wrenching world of adult responsibilities.
Roland Klick’s acid western embraces and transcends the ‘Spaghetti’ sub-genre, writes Sarah Acton.
Im Sang-soo’s THE TASTE OF MONEY has a gin-dry and pleasingly wry sense of humour which takes pity on none of its players.
An articulate, challenging and rewarding film which opens a thoughtful discourse on gender, disability and sexuality.