Ieri, Oggi, Domani
Today marks the anniversary of the death of one of the greatest neorealists, Vittorio De Sica. Rosy Hunt reviews his comedy anthology in which Sophia Loren and Marcello Mastroianni play three odd couples.
Today marks the anniversary of the death of one of the greatest neorealists, Vittorio De Sica. Rosy Hunt reviews his comedy anthology in which Sophia Loren and Marcello Mastroianni play three odd couples.
If you’re looking for cheap tricks and jump scares, you won’t find them in the hypnotically unnerving THE SHINING, recently re-released with an extra 24 minutes. Gavin Midgley reviews.
Hyper-realistic macho mumbly dialogue? Check. Brotherly love? Check. Redemption? Check. Patrick Fowler reviews Chris Sivertson’s BRAWLER.
THE MASTER is a sprawling and wonderful film, with terrific performances in front of and behind the camera. Although a landmark in Paul Thomas Anderson’s career, it maybe doesn’t come together as it should, writes Jim Ross.
ARGO is a well-handled spy drama with some Hollywood satire thrown in, and an engaging true story despite succumbing to silly contrivances and excessive dramatic licence at the end, writes Jim Ross
A universal tale of aspiration in the face of adversity is given fresh impetus and local nuances in Tosh Gitonga’s drama – the opening film of Film Africa and CAFF2012, writes Jim Ross
Mihai Kolcsar has a Hallowe’en flashback to the fearsome forests of Transylvania, triggered by the underrated classic DEAD END, starring Ray Wise and Lin Shaye.
Latest contribution to the Hallowe’en Specials: Keith Braithwaite’s top trouser-soiling moment from cinema history features in The Who’s bonkers, mawkish rock opera TOMMY.
For the series’ 50th anniversary, fans have a Bond film that seems to get almost everything right, writes Liam Jack.
When a bit of careless driving leads them to accidentally kill a fellow tourist, Tina and Chris develop a taste for blood…