For Ellen
Shaylena Mandigo’s joyous performance almost saves So Yong Kim’s pretentious, meandering low-budget drama, says Dan Harling.
Shaylena Mandigo’s joyous performance almost saves So Yong Kim’s pretentious, meandering low-budget drama, says Dan Harling.
Malick’s TO THE WONDER is a visual, emotional and lyrical tour-de-force, writes Hannah Clarkson.
Terence Stamp is on impressively dour form in Paul Andrew Williams’ modest film, writes Gavin Midgley.
Yasuo Baba’s timeline shifting comedy indulges nostalgia for the profligate 90s while finding a very humorous way to point out exactly where it all went wrong, writes Noel Megahey.
As its Surrealist title suggests, 971 HORSES + 4 ZEBRAS is a confounding compilation of animations and experimental films co-curated by featured artists Jordan Baseman and Gary Thomas.
The anarchic possibilities afforded by the combination of kiddie ninja adventures and Takashi Miike never really lives up to its full potential, writes Noel Megahey.
Jon Toomey reports back from Animated Exeter, the leading public animation festival in the UK. The opening film is RAY HARRYHAUSEN: SPECIAL EFFECTS TITAN!
Kazuo Koroki’s final film is formal, sombre, reflective and poetic, and in that respect reminiscent of the post-war films of Yasujiro Ozu, writes Noel Megahey at the Japan Foundation tour in Belfast.
Sadly, by not being what those her age would typically call “pretty”, Lola Star’s had to make friends with rejection. Thankfully, she has developed a unique coping mechanism.
Harold, who is too young to have lived much yet, finds no enjoyment or purpose in life. Maude, who has known unimaginable tragedy, embraces the state of being and finds great beauty in each given moment.