Les Saveurs Du Palais
LES SAVEURS DU PALAIS is a well-balanced story, and audiences are sure to walk away with a smile, not to mention quite an appetite. Jessica Donnithorne reviews at San Sebastian.
LES SAVEURS DU PALAIS is a well-balanced story, and audiences are sure to walk away with a smile, not to mention quite an appetite. Jessica Donnithorne reviews at San Sebastian.
Hannah Clarkson and Steve Williams offer opposing views on Rosi’s ILLUSTRIOUS CORPSES. Is the truth always revolutionary? There’s only one way to find out! Read on, and then let us know what you think.
A rare screening of Curt McDowell’s THUNDERCRACK! was one of the unsung highlights of CFF2012. Melodramatic, naturally sexy and wonderfully absurd, this B-movie pastiche is Rocky Horror in extremis, writes Rosy Hunt.
Although it takes a while to find its feet, Mat Whitecross’ ASHES is a twisting and illusionary drama that executes a strong vision engagingly well, writes Jim Ross
In James Nutt’s documentary JERUSALEM ON A PLATE Yotam Ottolenghi undertakes an immersive culinary journey through the streets of his childhood. Jessica Donnithorne reviews at San Sebastian Film Festival.
Pablo Berger’s silent transposal of the classic tale of Snow White onto 1920s Spain emerges as a critique of Spanish machista society, writes Jessica Donnithorne at the San Sebastian Film Festival.
LIBERAL ARTS is a gentle mix of romance, drama and comedy resistant to the formulaic mess it could so easily have collapsed into, writes Jim Ross at the Cambridge Film Festival.
LOOPER is an intelligent neo-noir science fiction, with some striking images and more emotional resonance than the likes of INCEPTION. Jim Ross reviews the CFF2012 Surprise Film.
Jim Ross reviews the short films playing in the strand TO CELEBRATE – CALLUM, THE WAY THE LAMP SWINGS, BLACK DUST, DYLAN’S ROOM, DAYS OF AWE and LINE 102.
Anthony Davis reviews this showcase of Bruce Lacey’s work, curated and introduced by William Fowler. An interview with William Fowler will follow soon.