Bait
BAIT splatters a bleak Cornish canvas with the bright fury of locals, and the surging tones of the tourist…Elle Haywood reviews.
BAIT splatters a bleak Cornish canvas with the bright fury of locals, and the surging tones of the tourist…Elle Haywood reviews.
BY THE GRACE OF GOD is an incredibly bold contender in the Berlinale competition, writes Elle Haywood.
Nadine Labaki presents a gripping film of remarkable social realism that can’t help but give in to its thirst for people’s tears. Serena Scateni reviews.
An often-overlooked category, even by the Academy themselves, Jim Ross and Chris Dobson examine the films nominated for the 2019 Oscar for Best Live Action Short Film.
McCarthy has never shied away from playing disagreeable characters – but her acting here feels more raw than ever, writes Ben Jones.
Fear of loneliness, fear of the inescapability of time… Ben Woodard reviews Bergman’s WILD STRAWBERRIES.
Elle Haywood reviews the opening film of the 69th Berlinale: Lone Scherfig’s THE KINDNESS OF STRANGERS.
Like a lot of teenagers, EIGHTH GRADE is funny, awkward, and ambitious – it is a film that represents an accomplished graduation for both Bo Burnham and Elsie Fisher. Jim Ross reviews ahead of Glasgow Film Festival.
Chupov and Merkulova paint the ungraceful portrait of a struggling man and leave the action seen on screen open to interpretation in THE MAN WHO SURPRISED EVERYONE.
GREEN BOOK may not win any awards, and its sense of humour is occasionally problematic – but nevertheless, it’s a heart-warming buddy movie, writes Joshua Ragan.