Glory (Slava)
GLORY (SLAVA) is an effective drama, using its characters to draw us into a bleak film infused with satire and dark humour. Jim Ross reviews from Edinburgh International Film Festival
GLORY (SLAVA) is an effective drama, using its characters to draw us into a bleak film infused with satire and dark humour. Jim Ross reviews from Edinburgh International Film Festival
The portrayal of sinister Scottish hicks in THE DARK MILE is, Jim Ross would like to think, mostly absurd to anyone north of the Watford Gap…
Harrowing, single-take brilliance: A visually-stunning, heart-stopping story set in the dark heart of Berlin, pushing cinematic boundaries to exhilarating heights.
Despite an engaging performance, Lena Olin is unable to save this pretentious story of a writer trying to find the executor of her estate, says Jim Ross.
An allegorical look at the uncompromising Russian prison system, A GENTLE CREATURE starts strong but loses its potency midway, falling into a weak finale.
Cate Shortland’s sexual thriller examines themes of escape, desire and dependence while bringing to life the aesthetic beauty of the German capital.
A story about terrorism in a time that seems ravaged by it, IN THE FADE excels in its heartfelt portrayal of grief in the wake of an attack.
By retaining what made the original series so groundbreaking and doubling down on the weirdness, Twin Peaks shines in a very welcome return.
Remember how Sam Mendes’ SPECTRE felt like it was trying to be both a sequel to every Daniel Craig-era 007 entry as well as a big fat homage to the entire Bond franchise, but failed to do justice to any of them?
Punk rock rules! There are extra-terrestrial goings on in Croydon as John Cheshire discovers, reviewing John Cameron Mitchell’s latest feature film at Cannes Film Festival.