Tornado
TORNADO’s blending of genres is not always entirely successful, occasionally creating an uncanny feeling, but the film isn’t afraid to proudly showcase its influences and try something new with them.
TORNADO’s blending of genres is not always entirely successful, occasionally creating an uncanny feeling, but the film isn’t afraid to proudly showcase its influences and try something new with them.
Watching in 2025, we unfortunately know that the story of American neo-fascism has only continued, and so the ending of documentary HOMEGROWN seems both sad and premature.
While THE SURFER does not deliver many surprises beyond the details of Cage’s character’s trials, humiliations, and triumphs, fans of Cage, Australian dramas, and a B-movie’s relish for the extreme will find it lives up to the promise of its premise with aplomb.
STEALING PULP FICTION has an ironic postmodern sensibility combining a reverence for cinema and the cinema-going experience – midnight screenings, overflowing tubs of popcorn, the smell of 35mm prints – with an ironic appreciation of Quentin Tarantino’s own postmodern work.
While it’s visually striking and Crispin Glover gives a wonderful performance as the main character, MR. K’s web of allusions to other works grows a little thin and leaves you wondering what the film says on its own.
ON FALLING achieves the difficult credit of being both a deeply affecting character story and a compelling indictment of how precarious labour markets undermine our communities.
WOKEN is a sci-fi thriller that packs a punch disproportionate to its small scale and short length. Despite some unfortunately clumsy tropes deployed in the third act, WOKEN still has enough twists and turns and enough contemporary relevance to be a thriller worth checking out.
FALLING INTO PLACE echoes Sally Rooney’s Normal People: it follows two young lovers who come in and out of each other’s lives while trying to come to terms with the heartbreaking hands they have been dealt.
While THE VOURDALAK may not entirely succeed as a film, there is something fascinating about how this early vampire story emphasises the queerness that has always been part and parcel of vampire stories in folklore.
TUMMY MONSTER, Ciaran Lyons’ directorial debut feature, is UNCUT GEMS by way of Glasgow, using its sense of confinement to build to a peak of anxiety and tense release that will stick with you long after the end.