The Pervert's Guide to Ideology
Any suspicions that this will be a dry, academic exercise are dispelled when the film opens with a clip from THEY LIVE, writes Jim Moore.
Any suspicions that this will be a dry, academic exercise are dispelled when the film opens with a clip from THEY LIVE, writes Jim Moore.
MOVIEMAKERS is an enjoyable and spirited skip up the King’s Road to the land of hard-to-believe, writes Alison Hicks.
Robbie Griffiths reviews the short films which spawned Roland Klick’s legendary cinematic features, screened at Cambridge Film Festival.
Amanda Randall asks: “Isn’t there another way to encourage interaction with nature that doesn’t involve creating a gigantic carbon footprint?”
This Kosovo-set war drama is emotionally engaging despite its overly familiar plot and characters, writes Gavin Midgley.
The Cambridge Film Festival’s second Surprise Film is a fascinating depiction of a difficult time in American history, writes Owen Baker.
Bethlehem is divided, literally, by a giant illegal wall of concrete dividing Palestine and Israeli areas. Sarah Acton reviews Leila Sansour’s OPERATION BETHLEHEM.
Cousins’ own childlike joy in the camera is manifest throughout A STORY OF CHILDREN AND FILM, writes Amanda Randall.
Hannah Clarkson reviews this touching portrait of Drako Zarhazar, THE MAN WHOSE MIND EXPLODED.
BLACKBIRD is a beautiful drama about Scottish folk traditions and values, but a style over substance approach lets it down, writes Sarah Acton.