Disability Sport And Art Festival 2013
The films screened as part of the Disability Sport and Art Festival 2013 range from the insightful and poignant to the enjoyably barmy, writes Dan Harling.
The films screened as part of the Disability Sport and Art Festival 2013 range from the insightful and poignant to the enjoyably barmy, writes Dan Harling.
Polley’s examination of the nature of truth and the fragility of memory is remarkably effective and makes for absorbing viewing, writes Dan Harling.
Penny Woolcock’s inner-city gang documentary humanises people who have been demonised for too long, writes Gavin Midgley.
Gavin Midgley speaks to producer Rebekah Tolley about the making of acclaimed documentary WE WENT TO WAR and its director Michael Grigsby.
The greatest triumph of GATEKEEPERS is the filmmaker’s ability to persuade the former heads of Israel’s Secret Service to speak so openly, writes Sarah McIntosh.
Michael Grigsby’s final film is an outstanding and immensely moving examination of the true cost of war, writes Gavin Midgley.
Debate about political bias aside, THE SPIRIT OF ‘45 is a skilfully crafted and emotional call to action, writes Amanda Randall.
Yves Montmayeur’s documentary is an engrossing insight in to one of the world’s most complex directors, says Liam Jack.
“It’s not a job, it’s a vocation, but a very rewarding one.” At the Watersprite festival Rosy Hunt spoke to Sarah Waldron, series producer at the BBC, about documentary filmmaking.
Ulrich Seidl’s IMPORT/EXPORT takes his ‘indiscreet gaze’ and applies it to the unseen forces governing the fates of economic migrants in Europe. Steve Williams reviews.