Gatekeepers
The greatest triumph of GATEKEEPERS is the filmmaker’s ability to persuade the former heads of Israel’s Secret Service to speak so openly, writes Sarah McIntosh.
The greatest triumph of GATEKEEPERS is the filmmaker’s ability to persuade the former heads of Israel’s Secret Service to speak so openly, writes Sarah McIntosh.
Michael Grigsby’s final film is an outstanding and immensely moving examination of the true cost of war, writes Gavin Midgley.
Debate about political bias aside, THE SPIRIT OF ‘45 is a skilfully crafted and emotional call to action, writes Amanda Randall.
Yves Montmayeur’s documentary is an engrossing insight in to one of the world’s most complex directors, says Liam Jack.
“It’s not a job, it’s a vocation, but a very rewarding one.” At the Watersprite festival Rosy Hunt spoke to Sarah Waldron, series producer at the BBC, about documentary filmmaking.
Ulrich Seidl’s IMPORT/EXPORT takes his ‘indiscreet gaze’ and applies it to the unseen forces governing the fates of economic migrants in Europe. Steve Williams reviews.
SIDE BY SIDE is a fascinating and insightful look at the debates raging in the creative process as the digital revolution continues to evolve, writes Jim Ross.
SIDE BY SIDE is a fascinating new documentary, featuring interviews led by Keanu Reeves, looking at the rise of digital technology in filmmaking. Jim Ross spoke to director Chris Kenneally about the film and the discussion it highlights.
A fascinating portrait of McCullin’s lifework describes the photographer’s experiences and dilemmas while capturing on film some of the worst human atrocities post World War II.
We spoke to Jesse about his directorial debut JASON BECKER: NOT DEAD YET, a documentary about a guitar hero who hasn’t let Lou Gehrig’s Disease stop him recording music.