The story of Shelley’s Frankenstein is, in part, about unchecked ambition and “filthy creation”. In pursuing greatness for himself, Victor brought misery upon a creature of which he lost control. Maybe THE BRIDE! is a good adaptation of her work in spirit, if not in practice.
Both Shakespeare and Zhao acknowledge the beauty of grief, which is, of course, a form of love, as well as its horrific reality. Whatever you have lost will be touched upon when you see this film. Tears streamed down my face, my breath coming in shudders by the end.
Christos Nikou’s second feature doesn’t quite reach memorable comic and painful heights, but does have something to say about modernity’s continual perversion of the human experience and the need to dissect, categorise, and package it. Romance is far from dead, but FINGERNAILS takes a forlorn look at what might kill it.
Based on the debut novel of the same name by Canadian writer Iain Reid, I’M THINKING OF ENDING THINGS is eccentric and unsettling. Charlie Kaufman delves deep into themes those familiar with his work will have grown accustomed to, including identity crisis, and the meaning of life. The fluidity of time is a highlight and … Continue reading I’m Thinking of Ending Things →
The lead performances carry the film, but if it had some more plot discipline, it’s hard to shake the feeling WILD ROSE couldn’t have been so much more than it is. Jim Ross reviews.
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