Like the plant of the title infects those around it, LITTLE JOE gradually infects you with its languid cinematography, a terrifically subtle central performance, and a wonderfully puzzling sense of ambiguity. Simon Bowie reviews from BFI London Film Festival.
MONOS invites us to see ecstatic truth against brutal unreality in a film that uses cinema to its fullest potential. Simon Bowie reviews at BFI LFF.
THE FAREWELL speaks profoundly about how we express love, how we express truth, and how those often aren’t the same thing. Simon Bowie reviews.