MOONLIGHT is not a portrait painted in broad brushstrokes, but a tapestry – any one strand can be admired for its own technique and qualities, but standing back to observe the whole is where the power lies. Jim Ross reviews.
SPECTRE is as entertaining as Bond would be, but relies on older films and wants to have its cake and eat it too. Jim Ross reviews.
Justin Chadwick’s superficial overview of the late icon’s life fails to do justice to its subject, writes Gavin Midgley.
For the series’ 50th anniversary, fans have a Bond film that seems to get almost everything right, writes Liam Jack.