Apollo 11
By virtue of having aged yet visually powerful footage, APOLLO 11 is certainly worth capturing on the big screen and will be orbiting your mind for a long time after. Elle Haywood reviews.
By virtue of having aged yet visually powerful footage, APOLLO 11 is certainly worth capturing on the big screen and will be orbiting your mind for a long time after. Elle Haywood reviews.
TAKE ONE meets with the Director of Sundance (John Cooper) and the Senior Programmer (David Courier), as part of the roundtable interviews for Sundance London. Elle Haywood discusses the core of both London and Utah, a discussion of the film selections for this year, the challenges the industry is now facing and Sundance looking to … Continue reading Interview with John Cooper & David Courier
Elle spoke to director Daniel Scheinert during Sundance London, and you can read their discussion here. In a small town such as this film’s in Alabama, news travels pretty fast – including the most recent town scandal, the death of Dick Long. After a wild night of partying with his friends, Dick’s body turns up … Continue reading The Death Of Dick Long
Elle Haywood speaks to Daniel Scheinert at Sundance London, where his new feature THE DEATH OF DICK LONG was screened.
THE NIGHTINGALE redefines all preconceptions you have about horror films and sheds a harsh light some of the most disturbing and untold aspects of colonialism in Australia; the most nauseating of which is the truth that lies within them. Director Jennifer Kent is a detailed and masterful storyteller, painting the film with the same skin-crawling … Continue reading The Nightingale
ELLE: I’ve been joined by the lovely Kim Yutani for start of the Sundance Film Festival 2019 London strand! Thank you for joining us Kim – how have you found the kick-off this week? KIM: We’re really excited to be back here in London for the 7th year and to be working with The Picturehouse. … Continue reading Interview with Kim Yutani: Director of Programming for the Sundance Film Festival
Screening at Sundance London 2019, ANIMALS ‘has an undeniably charming quality to it’. Elle Haywood reviews.
You may feel like taking a few aspirin after to combat the sensory overload, but MADELINE’S MADELINE will burn its way into your skin, determined that you won’t forget its emboldened, capricious nature. Elle Haywood reviews.
THE GROUND BENEATH MY FEET unearths a surprisingly moving and intensely gripping psychodrama. Elle Haywood reviews at BFI Flare.
THE FRUIT MACHINE plunges a serrated knife of injustice and homophobia deep into the golden heart of Canadian liberalism. Elle haywood reviews at BFI Flare 2019.