Sudipto Roy Interview
Jim Ross interviews Sudipto Roy, director of Glasgow Film Festival 2019 highlight KIA AND COSMOS, ahead of his film’s release in India.
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Steffen Geypens Interview
Steffen Geypens is the director of award-winning short film SILENT CAMPINE. Jim Ross spoke to him about the film and his plans for moving into feature films.
Entrevista a Gabrielle Brady
This translation was made by the International Documentary Film Festival Encuentros del Otro Cine / EDOC of Ecuador to promote the film Island of the Hungry Ghosts, which is part of the program of its 19th edition. Translation published September 22nd, 2020. Original article published March 5th, 2019. Esta traducción fue realizada por el Festival … Continue reading Entrevista a Gabrielle Brady
Gabrielle Brady Interview
Jim Ross talks to Gabrielle Brady, director of the award winning documentary ISLAND OF THE HUNGRY GHOSTS.
Loro
There are few public figures as ripe for a biopic as Silvio Berlusconi, and few filmmakers better equipped to take that particular portrait on as Paolo Sorrentino in LORO. Jim Ross reviews at Glasgow Film Festival.
Netizens
A documentary focusing on the harassment of women using modern internet or technological means, NETIZENS is an arresting cry for solidarity. Jim Ross reviews at Glasgow Film Festival.
Keep Going (Continuer)
Using the wide landscapes of Kyrgyzstan, the character of a mother-son relationship is coloured in amidst some stunning visuals during KEEP GOING. Jim Ross reviews at Glasgow Film Festival.
Everybody Knows
EVERYBODY KNOWS is an involving set of characters, with excellent performances from his actors. A film of subtle interactions from Asghar Farhadi, the plot itself isn’t quite as engrossing. Jim Ross reviews at Glasgow Film Festival.
Hotel Mumbai
HOTEL MUMBAI is excellent at creating tension, but terrible at turning it into any meaningful empathy with or understanding of its wider roster of characters, despite the best efforts of Dev Patel. Jim Ross reviews at Glasgow Film Festival.
The Truk (L’Enkas)
Sarah Marx has undoubted skill, but THE TRUK – although an an accomplished first feature – required some fine tuning to be the best vehicle for it. Jim Ross reviews at Glasgow Film Festival.