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Punk rock rules! There are extra-terrestrial goings on in Croydon as John Cheshire discovers, reviewing John Cameron Mitchell’s latest feature film at Cannes Film Festival.
Punk rock rules! There are extra-terrestrial goings on in Croydon as John Cheshire discovers, reviewing John Cameron Mitchell’s latest feature film at Cannes Film Festival.
The first diary entry from Harry Jones, one of the two ARU student journalists who won a place with Take One at this year’s Cannes Film Festival.
As Dario Argento’s cult classic Suspiria (1977) is on its way to re-boot central this year, let’s take a look back at the giallo and horror filmmaker as we come full circle with the impending re-make of one of his most iconic films. Suspiria, a film, before watching it, audiences had likely caught glimpses of … Continue reading An Italian with a movie camera
Jim Ross examines the unique place of TRAINSPOTTING in Scottish pop culture and how T2 TRAINSPOTTING captures the progression of a nation since the original
TAKE ONE Awards for the calendar year 2016
April McIntyre looks at how THELMA AND LOUISE, which turned 25 this year, influenced future filmmakers by putting women behind the wheel.
Bob Furmanek tells Toby Miller how attempts at 3D filmmaking are almost as old as cinema itself.
Ben Johnston discusses our obsession with seeing our favourite musicians on the big screen.
Jim Ross examines how the movie universe concept will eventually collapse, and be subject to the same science and laws as our own universe.
Sombre, reflective and as divisive as ever at the Cannes Film Festival, Jack Toye reviews Xavier Dolan’s latest feature