While an imperfect effort, DEATH ON THE STREETS is an interesting outside-in angle on a forgotten America. Heart and honesty make up for lack of polish, and it treats its subject with uncomfortable, unrelenting respect that drives home the lack of quick fixes and easy answers.
GUILT, THEN ABSOLUTION? is a diverse program about sin and reconciliation, boasting a variety of genres and screening as part of the postponed 2020 Edinburgh Short Film Festival.
If there’s one running theme of the absolute tyre fire that was the year 2020, it’s that we always need ways to escape. As such, it’s suitable that this block of the long-postponed 2020 Edinburgh Short Film Festival focuses on this very topic.
COWBOYS is a touching story about accepting who your children are, that uses the masculine norms of the cinematic depiction of cowboys to situate its discussion about gender identity and gender presentation.
The Care to Express programme aims to look at the ways in which “art, passion and care work together to enrich our lives.” The five films in the programme present a world of culture, environment and art during a turbulent year. Music producer Patrick Cowley was instrumental in the San Francisco club scene’s evolution, with … Continue reading Scottish Competition 3: Care to Express
The Bill Douglas Award concentrates on innovative and new cinema, the fifth instalment of the programme, Connection Signals focusses specifically on routines, patterns, and codes to express socio-cultural effects and influences.
ENFANT TERRIBLE is an energetic, timely and fitting biopic of the notorious, provocative and iconic German filmmaker Rainer Werner Fassbinder.
JUMP, DARLING is a moving feature that resounds the magnetic writing of independent cinema and puts the complexity and beauty of human relationships in the centre of its discourse of LGBTIQ+ life.
COLORS OF TOBI is a beautiful and intimate documentary that says something important about the family’s potential to be a locus of support, love, and trust for LGBTIQ+ people.
DRAMARAMA is a comedy-drama about the secrets within a clique of conservative Christian theatre-kids. The film has a real truth to how it represents the drama of puritanical Christian teenagers that unfortunately makes all the characters quite annoying.
