Greta
GRETA is a film that conceals that mystery within its artistic cinematography, in a way that’s equal parts frustrating and admirable. Ben Jones reviews for Berlinale.
GRETA is a film that conceals that mystery within its artistic cinematography, in a way that’s equal parts frustrating and admirable. Ben Jones reviews for Berlinale.
STYX presents a personal moral quandary to comment on wider global issues, Wolfgang Fischer directing a superb performance from Susanne Wolff. Jim Ross reviews.
BAIT splatters a bleak Cornish canvas with the bright fury of locals, and the surging tones of the tourist…Elle Haywood reviews.
BY THE GRACE OF GOD is an incredibly bold contender in the Berlinale competition, writes Elle Haywood.
Director Lone Schonfeld and Zoe Kazan, Andrea Riseborough, Tahar Rahim, Caleb Landry Jones and Bill Nighy on THE KINDNESS OF STRANGERS.
The panel at Berlinale talk about the improved ratio of female filmmakers in competition, and ask – has Netflix killed cinema?
Elle Haywood reviews the opening film of the 69th Berlinale: Lone Scherfig’s THE KINDNESS OF STRANGERS.
Like a lot of teenagers, EIGHTH GRADE is funny, awkward, and ambitious – it is a film that represents an accomplished graduation for both Bo Burnham and Elsie Fisher. Jim Ross reviews ahead of Glasgow Film Festival.
Chupov and Merkulova paint the ungraceful portrait of a struggling man and leave the action seen on screen open to interpretation in THE MAN WHO SURPRISED EVERYONE.
Although not immune to dragging on in its quest for authenticity, MID90S ragtaggy candour should win affection. Jim Ross reviews ahead of its screenings at Glasgow and Berlinale 2019.