HOUSE OF MY FATHERS is part of the 48th International Film Festival of Rotterdam’s Bright Future section, and it couldn’t be a more accurate categorisation. In her first feature, Suba Sivakumaran delivers a moving story of two warring villages, one Tamil and the other Singhalese. Both communities are suddenly hit with a curse which prevents … Continue reading Interview with Suba Sivakumaran→
Premiering at Sundance, Mikato Nagahisa’s debut feature WE ARE LITTLE ZOMBIES follows four Japanese orphans escape into a fantasy of bright colours, video game noises and characters, and upbeat music. Jim Ross reviews.
A LONG DAY’S JOURNEY INTO NIGHT is an existential and introspective journey for its protagonist, meticulously choreographed by director Gan Mi. Yemi Chabi reviews at International Film Festival Rotterdam 2019.
This collection of shorts at LSFF is a hotbed of cruel situations and heinous tragedies, ladled with a coating of remorse and devastation, writes Elle Haywood.
Blue Monday, which takes us into the lives of a myriad of people and their bluest of days. Fairly politically and socially charged, this collection was exceptionally brilliant. Elle Haywood reviews.
Opening night of a film festival is always something to behold; the chatter of cinephiles who fill the halls of the lobbies and rooms, eager to consume this year’s delights. As an ode to the greats, those of the eighties who are now some of the most established directors within the industry; LSSF Presents their … Continue reading London Shorts: Opening Night→