This year’s Cannes Film Festival has sparked a certain degree of controversy around its inclusion of films produced by Netflix, one of which is acclaimed South Korean director Bong Joon-ho’s sixth directorial project, OKJA. Concerning itself with the peaceful life of farm girl Mija (Ahn Seo-Hyun) and her giant pet pig Okja, the film follows … Continue reading Okja
On Monday 27 March, the Cambridge Arts Picturehouse will play host to the first in a series of sneak previews of the London Korean Film Festival.
CLOUDY SUNDAY is based on a book inspired by real events during the German occupation in Thessaloniki in 1942. We sat down with the director.
A tightly-plotted and well-executed thriller set in the snowy wastes and desolate pine forests of British Columbia.
NAKOM follows a Ghanaian medical student who is forced from his studies when he hears that his father has died.
REVOLUTIONS takes as its starting point the explosion in creativity in the arts at the outset of the Russian Revolution.
Day Moibi talks with filmmaker Eimi Imanishi about her directorial debut, BATTALION TO MY BEAT, which won the award for Best Short Film at the Cambridge African Film Festival 2016.
A biographical film which, like its subject, is conventional on the surface but fiercely individual underneath.
We spoke to Erica Vader and Borja Torres of Cryogenic Films about their short meatmare OUT OF DATE.
Day Moibi interviews Alex Kruz about his latest film, Parivara.
