Kaidan
KAIDAN puts a reflective spin on the traditional ghost story by engaging writers and film directors unfamiliar to the genre.
KAIDAN puts a reflective spin on the traditional ghost story by engaging writers and film directors unfamiliar to the genre.
While the acting and technical skills on display are impressive, LORE has a thin story that never really kicks into gear, writes Liam Jack.
Ely Film Society’s screening of the classic Lon Chaney horror in the atmospheric setting of Ely Cathedral was a triumph, writes Amanda Randall.
Cigarette Burns organises screenings of cult films in various London venues. Ferry Hunt reviews the recent screening of THE KEEP on 35mm.
Presented by Falmouth University, THE GRADUATE showcased a selection of the best animation created in educational institutions over the last couple of years. Jon Toomey reports back from ANIMATED EXETER.
Ulrich Seidl’s IMPORT/EXPORT takes his ‘indiscreet gaze’ and applies it to the unseen forces governing the fates of economic migrants in Europe. Steve Williams reviews.
Shaylena Mandigo’s joyous performance almost saves So Yong Kim’s pretentious, meandering low-budget drama, says Dan Harling.
Malick’s TO THE WONDER is a visual, emotional and lyrical tour-de-force, writes Hannah Clarkson.
Terence Stamp is on impressively dour form in Paul Andrew Williams’ modest film, writes Gavin Midgley.
Yasuo Baba’s timeline shifting comedy indulges nostalgia for the profligate 90s while finding a very humorous way to point out exactly where it all went wrong, writes Noel Megahey.