The Little Stranger
Despite strong beginnings, ripe themes and an excellent cast, the supernatural elements of THE LITTLE STRANGER are poorly executed, writes Alice Pullen.
Despite strong beginnings, ripe themes and an excellent cast, the supernatural elements of THE LITTLE STRANGER are poorly executed, writes Alice Pullen.
TIME FOR ILHAN is a call to action, writes Serena Scateni at Take One Action Festival. Director Norah Shapiro gathers a diverse array of voices to give the audience behind-the-scenes insight on local politics.
SILVANA is a greatly inspirational biopic, following Silvana Imam’s rapid rise to musical fame, that should reach wider audiences. Serena Scateni reviews at Take One Action Festival.
NAILA AND THE UPRISING is a powerful end to an inspiring Take One Action film festival program, writes Calam Pengilly.
Understated and compelling, THE RIDER is an alluring and thought-provoking film. Murray Ferguson reviews.
THE GREEN LIE is an examination of corporate greenwashing with humorous self-reflective tone, writes Calam Pengilly at Take One Action Film Festival.
AMERICAN ANIMALS is a docudrama mix that is a neat, tight deconstruction of the heist film and grips rather than grates. Jim Ross reviews.
UNDER THE TREE is a deliciously bleak and funny tale, with a ridiculous burst of violence making a uniquely strange little film. Murray Ferguson reviews.
FLIGHT OF A BULLET is raw and real but not in the manner war documentaries typically are. Anna Whealing reviews the Open City Documentary Festival award winner.
THOSE WHO COME, WILL HEAR is a suggestion of director Simon Plouffe’s full potential, despite not always connecting with the cultures it depicts, writes Luka Vukos at Open City Documentary Festival.