The Guilty
The confining space of a cinema is the perfect place to watch THE GUILTY, the venue’s own restrictions aptly mirroring that felt by the characters. Francesca Woulfe reviews.
The confining space of a cinema is the perfect place to watch THE GUILTY, the venue’s own restrictions aptly mirroring that felt by the characters. Francesca Woulfe reviews.
The Edinburgh Short Film Festival’s November 8th program deals with mind games, toying with – and being teased by – our adversaries, and amusing ourselves. Jim Ross reviews.
Luka Vukos previews the closing night of the 2018 Edinburgh Short Film Festival – “this final set of films is another great bunch and their precise arrangement is likewise thoughtful.”
Although a lively mishmash of racial issues, politics, music gatherings, and espionage vibes, BLACK IS BELTZA cares more about adding iconic names of the 60s than delivering a coherent narrative. Serena Scateni reviews at Edinburgh Spanish Film Festival.
Cantet’s compassion for his young characters is never far from the surface – hard though they may be to stomach for some of the time.
A bombastic, colourful and appealing adventure peppered with just enough outlandish moments to keep Gilliam fans happy, writes Rosie Applin.
HAPPY AS LAZZARO is a conversation starter which balances nuance and neo-realism with its thoughtful, comedic and magical lead.
“He was more than just a linguist, he was the Indiana Jones of his time…” April McIntyre interviews the makers of EASTERN MEMORIES.
Director Reinaldo Marcus Green highlights a story that we’ve all seen before, in films or in the news, and tells it in a completely unique way.
Blerta Zegiri’s THE MARRIAGE is a story that is worth telling and can be seen as a lot more than just a film, writes Jorvan White.