Under the Silver Lake
UNDER THE SILVER LAKE takes us on a hazy unfamiliar journey where most of the strange occurrences seem possible, writes Juanita Samson.
UNDER THE SILVER LAKE takes us on a hazy unfamiliar journey where most of the strange occurrences seem possible, writes Juanita Samson.
Elle Haywood speaks to producer Jared Selcer about ZIGGY’S WILL, a short film screened at this year’s Cannes Film Festival.
Matteo Garone delivers a showpiece of raw gangsterism in the Italian suburbs, and the moral complexities of vengeance in a small town community.
Ulrich Köhler’s IN MY ROOM is an inventive and largely compelling take on the ‘last man on earth’ scenario, writes Tina Kendall.
GIRLS OF THE SUN is told from the perspective of Mathilde who is a French journalist writing an article about “the truth” of women fighting ISIS in Kurdistan.
SOLO has a nice shiny, squeaky Disney feel to it and lacks the rugged authenticity of the other films, writes Elle Haywood at the Cannes Film Festival.
Lars Von Trier delivers another uncomfortable cinematic viewing… Elle Haywood reports back from the Cannes premiere.
BLACKKLANSMAN is an astonishing comeback for Spike Lee, writes Juanita Samson.
Diablo Cody’s third women-in-modern-America story is sharp and comical but ends with a tricksy whiff of Shyamalan, writes Andrew Nickolds.
Finding romance amid the Nazi ravages of World War 2 is nothing new in the movies, but Guernsey is a long way from Casablanca in every sense.