Joker: Folie À Deux
FOLIE Á DEUX may mean this iteration of the Joker leaves cinemas with a whimper, but at least it finally had something to say with its dying breath. Jim Ross reviews.
FOLIE Á DEUX may mean this iteration of the Joker leaves cinemas with a whimper, but at least it finally had something to say with its dying breath. Jim Ross reviews.
Despite many technical highs in JOKER, the lack of nuance and a determination to be iconically shocking mean Todd Phillips’s film is a Batmobile with the engine of a clown car. Jim Ross reviews.
Jacques Audiard might have tailored a slightly ill-fitting suit of great materials, but inside is an enjoyable yarn and captivating characters. Jim Ross reviews at Glasgow Film Festival.
The story is interesting. The actors are talented. But Van Sant, and his screenplay, are unequal to the task.
YOU WERE NEVER REALLY HERE is a tyrannically taut film that often feels like a 90-minute heart attack. The idea that any film – even one of Ramsay’s own – could make WE NEED TO TALK ABOUT KEVIN seem relaxed is absurd, yet here it is.
IRRATIONAL MAN has a nice freshness to it, giving the die-hard Allen fans something different, writes Garry Pope.
Laced with humanity and softly tragic humour, Spike Jonze’s HER is an emotionally packed film that will tease out pensive moments, writes Jim Ross
THE MASTER is a sprawling and wonderful film, with terrific performances in front of and behind the camera. Although a landmark in Paul Thomas Anderson’s career, it maybe doesn’t come together as it should, writes Jim Ross.